In Matthew López’s two-night play, The Inheritance, the third act of the first half closes as one of the main characters arrives at a house in upstate New York that served as an unofficial hospice for gay men in the AIDS crisis. He is greeted, one-by-one, by the ghost of every person who died there until the stage is full and the audience weeping and the man at the centre surrounded by people who loved his friend who gave them a bed to die in. A modern gay retelling of E.M. Forster’s
Care-take
Care-take
Care-take
In Matthew López’s two-night play, The Inheritance, the third act of the first half closes as one of the main characters arrives at a house in upstate New York that served as an unofficial hospice for gay men in the AIDS crisis. He is greeted, one-by-one, by the ghost of every person who died there until the stage is full and the audience weeping and the man at the centre surrounded by people who loved his friend who gave them a bed to die in. A modern gay retelling of E.M. Forster’s